Stephen is a whisky expert who travels the world talking about drinking and uses that time to collect records.
The name Keb Darge has been a synonym for vinyl record culture for the past four decades. The outspoken Scotsman, responsible for starting more than his share of music scenes for the past 40 years, knows all too well the ups and downs of a record collector. Having owned and sold many of the world's rarest records in his lifetime, he has seen the many of these leave his record box more than once, without regrets. Credited for discovering unknown records and bringing them to the public, Mr. Darge has been adamant about one thing: the music.
Introducing London-based collector Colleen 'Cosmo' Murphy: the woman behind the Classic Album Sundays, a self-proclaimed "audio diva," a mom, and a lover of cosmic-disco.
Sometime in the 1990s, I walked into Jack's Records in Red Bank, NJ and bought Blow Your Headphones by The Herbaliser without even hearing it. I had been turned on previously to them from some other music lover that passed it on to me. I dug it. Their brand of funk, soul, and jazz filled with samples and superbly crafted hip-hop beats had me nodding my head before, so I was sure they wouldn't let me down this time. They didn't.
As a young photographer shooting and devouring music in the underground clubs of Tel Aviv in the late ’90s and early 2000s, I became acquainted with the DJ Food record Kaleidoscope. I listened enraptured to its jazzy, sophisticated sounds, particularly the track “The Aging Young Rebel.” I didn’t know whose deep voice was captivating me so much, but it stuck with me.
When a window opens in Questlove’s schedule—even if it’s very last-minute and on July 4—you take it. As drummer for the legendary hip-hop band the Roots, bandleader for The Tonight Show with Jimmy Fallon, professor at New York University, and round-the-clock DJ, Questlove rarely gets a break in his schedule.
What Makes a Killer Collection?
From the Brownswood basement - Tales of a Trailblazer
Co-Founder of Gotan Project, Philippe reveals how a trip to a kibbutz, electronic music and film scores led him to urban tango.